Bound Movie

Contents.Plot The Way Out. Directed by. Written byMitch and Jack are on the run from mysterious floating creatures. Filled with remorse, Mitch looks at a photograph of his daughter Katherine as they drive down a nameless highway. Out in the desert, Mitch sees the creatures stalking them but does not tell Jack. In desperation, the pair pulls up to a run-down gas station. Inside, the men witness strange events as the creatures stalk them from afar.

As Mitch and Jack attempt to escape, they pull up to the same gas station further down the road. Jack tries to leave as the creatures close in on the pair, and is killed. Mitch, believing that this is the fate he deserves, refuses to leave and instead follows the creatures to a nearby motel. He enters room 6255 and finds himself in a home that he finds familiar. Hearing his daughter's voice, Mitch follows the sounds and finds an apparition of his daughter Katherine, who begs for his help.

Mudbound is an intimate epic about two American farming families, one black and one white, working the land in the 1940s Mississippi Delta. But watching a movie in which all the players are. I loved Bound. It was fast and fun, and far surpasses the more complicated bigger budget work the Wachowski's have directed, Matrix onward. The intelligence lies in its simplicity and focus. The first half is the girls fucking and scheming, the second is watching Joe Pantoliano scrambling to stay alive and lashing out in violence.

As he moves closer to his daughter, however, she continues to run away. Mitch is trapped in the hallway of the house, tormented until death by the regret he was not able to help his daughter.Siren. Directed by Roxanne Benjamin. Written by Roxanne Benjamin & Susan BurkeAt the same motel are Sadie , Ava , and Kim , traveling musicians in a band called The White Tights. Leaving the motel, visiting landmarks, stalked by the floating creatures, their van's tire goes flat and they are forced to pull over. Stranded in the middle of the desert, they are picked up by a friendly, eccentric couple ( and ). In the backseat of their car, Sadie sees a bear trap.

The band is taken to the couple's house further down the road. Inside, the band is shown to their room; Sadie hears the woman mention their late friend Alex, but neither Ava nor Kim seem to notice.

At dinner with the Kensingtons ( and ), who live nearby with twin sons, they are served a meal of burnt; Sadie, a, politely declines. After dinner, Kim begins to blame Sadie for Alex's death, whereupon both Ava and Kim suddenly begin vomiting a black substance. Sadie gets help and the people in the house give Ava and Kim a white liquid medicine to drink. Sadie confronts her friends for their strange behavior and tries to persuade them to leave; they refuse, in a trance, and decide to stay the night at the house. That night, Sadie has a nightmare of Alex being killed in a car accident. Waking up in the middle of the night, Ava and Kim are gone.

She finds them outside around a bonfire, participating in a strange cult ritual with the others in the house. Investigating from the brush nearby, Sadie's foot becomes caught in the bear trap seen in the couple's car the day before.

Hearing the commotion, Ava and Kim give chase as Sadie escapes the trap and moves into a nearby shed; here, she is accosted by an apparition of Alex. Terrified, Sadie runs out into the road and hails an approaching car for help.In the road behind her, one of the floating enigmatic creatures can be seen watching Sadie.The Accident. Directed by. Written by David BrucknerThe driver of the car, Lucas , talks to his wife Claire on the phone. Distracted, he does not see Sadie and she is hit by his car. Lucas exits the car and sees Sadie lying on the ground, critically injured, and calls 911; however, he is unable to tell the dispatcher where he is. A certified EMT gets on the line to help.

The voices of the dispatcher and the EMT tell Lucas to drive Sadie to a nearby town, where he finds a medical facility. Entering the facility, he finds it completely abandoned; after searching for help, the dispatcher opts to guide Lucas through performing lifesaving surgery; a third voice, that of a doctor, gets on the line. The voices convince Lucas to reach into Sadie's body cavity and manually compress her lungs, which kills her. The voices begin to laugh at Lucas, and he hangs up. He tries to escape the hospital but finds that all doors are locked. Shortly after, his phone rings again; the dispatchers persuade Lucas to talk about the incident. They agree that Lucas did not deserve this, and promptly tell him that he can leave.

They mysteriously provide him with access to clean clothes and a new car, so it will be as though nothing happened. Lucas, hesitant to leave, is reassured that he will not need to worry about Sadie's death. He leaves the facility, enters the car, and drives away.As he does, one of the floating creatures can be seen on the edge of the road overseeing the events.Jailbreak. Directed by. Written by Dallas Hallam & Patrick HorvathSandy , the dispatcher on the phone with Lucas, watches him drive away from a nearby payphone. She hangs up, and walks into a bar named The Trap; across the parking lot, Danny gets out of his car.

Inside, the bartender Al reprimands Sandy for leaving the door open. An argument ensues between the two and Warren , another patron in the bar. Danny barges in with a shotgun, and demands to know the location of his sister. Warren, revealed to be a demon, cuts a gash into Danny's back; Danny blows off Warren's clawed hand with the shotgun.

Danny takes Al hostage and forces him to drive to his sister's location: the back room of an ice cream parlor. There are demons Danny cannot see closing in on him as Al leads him through a secret entrance into a hidden room. Inside the room, he finds his sister Jesse applying a tattoo to a patron's back.

Danny tells Jesse that he has come to rescue her; she tells him that she is there by choice, and refuses to leave. Danny kills Al and kidnaps his sister, carrying her to his car. The locals, all demons, chase Danny as he drives quickly away. They drive for some time and then stop when the road peters out into the desert. Jesse begs Danny not to go off the road; Danny, with the locals in pursuit, decides he has no other option.

The car shakes violently as the pair drive out into the desert, and eventually Danny stops the car. Jesse reveals that she killed their parents, and that she deserves to live in the town.

The demons pull Danny out of the car; Jesse leaves him behind and drives away. She smiles and turns on the radio.As she drives, one of the floating creatures can be seen in the moonlight overseeing Jesse's plight.The Way In. Directed by Radio Silence. Written by Matt Bettinelli-OlpinJem (Hassie Harrison) exits the bathroom at Freez'n Over and sees Jesse walk back to the secret door.

Jem notices her and then meets her parents, Cait and Daryl ( and ), to finish their food. Jem is going to college and this is their last weekend together before she leaves. As they leave Freez'n Over someone in the parking lot watches them get into their car and drive to their vacation house. They are about to have dinner when three masked men break into their vacation house.

Daryl and Cait are caught while Jem hides. Daryl realizes that he knows who the men are and what they want, and begs them to spare his family.

One of the men whispers to Cait what Daryl did and she is astonished at her husband's secret. The same man then says 'eye for an eye' and kills her in front of her husband.

Jem then stabs one of the men in the back with scissors and takes the bat he was holding. Surprisingly, the other two tell her to leave. She runs away and they kill Daryl. As he is dying, the man in the mask holds up the photograph of Katherine that Mitch was looking at in The Way Out to be the last thing he ever sees. After Daryl is dead, they remove their masks and they are recognizable as Mitch and Jack. As they are leaving, Jem returns and fights back.

She injures them badly but when she’s about to escape, Mitch accidentally kills her. The men feel guilty because they went too far, but it's too late. Outside, the ground opens up as the enigmatic floating creatures from below come through the dead bodies. The men try to escape but the third masked man is dragged down by the tentacles from beneath the Earth. As the ground behind them continues to crumble, Mitch and Jack drive away.

They are chased by one of the floating creatures, but Jack accelerates and runs it down. Jack says they are going home as they get back on the highway. Mitch looks at a photograph of his daughter Katherine as they drive away.

Out in the desert, Mitch sees the creatures stalking them but does not tell Jack.Cast. April 5, 2016. Retrieved April 5, 2016. Retrieved June 15, 2018.

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As the film opens, a tough but sexy woman is moving into a new apartment. She rides the elevator to her floor with what looks like a mobster and his ditzy girlfriend. He's a mobster, all right, but she's not as ditzy as she looks. It's more of an act that gives her immunity in a dangerous environment.

The sexy newcomer is Corky (Gina Gershon), a lesbian who has just finished serving a prison sentence. The mobster is Caesar (Joe Pantoliano), a mid-level functionary in the Chicago crime syndicate. His girlfriend is Violet (Jennifer Tilly), whose lust for their new neighbor is so obvious she might as well just turn herself in to Jerry Springer and get it over with ('Violet -- afraid to tell Mafioso boyfriend she's a lesbian').

Violet creates an excuse to meet Corky; she uses the routine about her ring falling down the sink. In old movies this was a ploy to trap men, but for about 10 years I've noticed that the only movie characters who seem to do household tasks anymore are lesbians. There's always a scene early in the movie showing them caulking something.

Passion between the two women is instantaneous, steamy and kind of funny. Gershon and Tilly are electric together, maybe because they understand the humor of their situation and play the sex for delight instead of for solemn earth-shaking gynecological drudgery. The movie seems to be shaping up as an erotic popcorn-masher, but then the plot thickens and keeps on thickening, twisting the characters and the audience ever tighter into a sticky web of murder, blood, sex and money.

Violet and Corky have secret tete-a-tetes, and vice versa, and become lovers. Violet whispers that she wants to escape Caesar so the two women can start a new life together. So far she hasn't been able to get Caesar to listen. ('Caesar, I'm leaving!' she announces. 'Why?' he whines. 'Did I use a good towel?') Violet tells Corky that a bag man named Shelley (Barry Kivel) is arriving at Caesar's, with $2 million in cash. She thinks they should steal the cash, and she needs Violet's help--since as an ex-con, Violet is presumably an expert criminal.